Archives for category: Podcasting

It’s that time of the year when we are bom­barded with these, and like all of us I am try­ing to develop the appro­pri­ate strategies for win­now­ing out the chaff. The list of Web 2.0 Com­pan­ies I Couldn’t Live Without is one that kept my interest. Michael Arring­ton has com­piled an intriguing list of service-based com­pan­ies that you may or may not have tried before. Some such as blue dot are provid­ing a new spin on exist­ing ser­vices, in this case the social book­mark­ing model of del.icio.us. Read the rest of this entry »

Ok. I’ll admit I am rater late to the pod­cast­ing thing. I remem­ber when they star­ted show­ing up in as spoken word com­ment­ar­ies to down­load to your iPod and of course I had to try them out. They were still rather unformed and exper­i­mental and more import­antly for me, I didn’t find myself with the time to ded­ic­ate to listen­ing to a rant. I wasn’t mov­ing around that much, so didn’t have the longer stretch in the car where these may have worked out. I tried a couple, but didn’t find any that really tickled my fancy, so gradu­ally stopped look­ing for them. Then Scotty forced me to watch a Video Pod­cast a year and a half ago and I have star­ted to find pod­casts that do war­rant a few minutes time. Moreover, they also gen­er­ate some anti­cip­a­tion between releases. There are the zany ones (TikiBar TV), the inform­at­ive ones (MoBuzz, Geek­Brief) and the Cros­sov­ers (zeFrank, Rock­et­Boom), or even the spe­cialty ones (Wine Lib­rary TV, Food Guru). I am now sub­scrib­ing and watch­ing or listen­ing to about twenty shows on a reg­u­lar basis. For me these have really replaced TV. They are imme­di­ately access­ible, fre­quently fresher than cable and cer­tainly much more raw — not pro­fane, often just less refined and thus seem­ingly more per­sonal. There’s some­thing to these. We can make the obviosu par­al­lels to the print­ing press and pamp­phlet­ing, or to reneg­ade radio sta­tions, but these are seem­ingly more power­ful. Today, of all days, ime Magazine has picked its most import­ant inven­tions of the year and You­Tube is at the top of the list. Its there because there has been a shift in the abil­ity of the obscure to rise to prom­in­ence and reac an amaz­ingly uni­ver­sal audience.

All I know is that I am enjoy­ing the enter­tain­ment and inform­a­tion charge that I can tune into whenever I have a spare moment.

wired ipon coverThe iPod remains a per­vas­ive example of a viral epi­demic adop­tion. When did it hit the tip­ping point? I’ve still got my 1G pod although the bat­tery gave up the ghost a long time ago. It cer­tainly wasn’t in 2001. The unit was a lux­ury item and rather expens­ive. I think I paid close to $800 for mine in that first month after intro­duc­tion. A couple iPod’s later, the fas­cin­a­tion still remains, but my atti­tude has moved more towards the util­it­arian value. I picked up a Shuffle for use as a USB key with extras. It con­tin­ues to per­form exem­plary. As nice as the stain­less steel back is from the 1G, the Shuffle makes much more sense and doesn’t mar when treated roughly. It’s there when you need it and holds a charge for ages. My Nano, bought after Apple intro’d the 2G Nano for a song, is the dock that holds my little Nike jog­ging device. Now, that is a cool use. So I have paid Apple my share to sup­port the trend.

This art­icle from wired is a brief nar­rat­ive out­lining the pro­cess at Apple that led to its release in 2001. I recall being aware as many were that the soft­ware on the pod was licensed from Portal­Player, how­ever, this shares some of the other ways in which Apple was able to get a product to mar­ket quickly. It wasn’t the first MP3 player, but it cer­tainly was the best. My little 64Mb Sony pen­cil player (I can’t remem­ber the product name) had the util­it­arian value of the Shuffle in 2000. As the author notes, Apple iden­ti­fied as need, a mar­ket full of products that demon­strated lim­ited innov­a­tion — and offered Apple an oppor­tun­ity to reach a whole new sec­tor. They did this very well. Licens­ing where neces­sary, sub­ject­ing the product to an effect­ive refine­ment strategy and com­bin­ing it cru­cially with a desktop soft­ware. Has any­one tried the crap Sony stuff. DRM is the debate, but Sony tends to rub your face in it, where Apple has hid­den most of it and framed the reminder of its pres­ence in tongue-in-cheek cheeki­ness — ‘Remem­ber, Don’t Steal Music’.

screen lastkiss I don’t nor­mally click thru for adverts and the like, but after wtch­ing an epis­ode of zeFrank today the pro­du­cer sof the movie The Last Kiss had clev­erly bought some space. Why did I click? Well, lately zeFrank’s been pretty enter­tain­ing and I figured why not sup­port the site. I am glad I did. The site for the movie is quite a nice piece of flash. Nicely open page, lots of white space and a very smooth and, in my mind, thought­ful nav­ig­a­tion wid­get. Small popup from the bot­tom tied to the movie’s theme, but very user-centric. Works for me. Try it your­self. The incent­ive was to hear the soundtrack and it hap­pens to strike me as appeal­ing and is run­ning as a loop in the back­ground as I write this. All in all I was struck by the value of this click thru and sim­il­arly by the path from a pod­Cast I sub­scribe to to this movie which pre­sum­ably has some thought given to demo­graphic tastes in just such a clickthru.